Understanding Egyptian Collections: Innovative display and research projects in museums
Recent Episodes
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Egypt and the Ashmolean – 5 millennia of collections care part two
Sep 17, 2014 – 15:36 -
Ancient Worlds: Open Data, Mobile Web, Haptics, Digital Touch
Sep 17, 2014 – 29:00 -
Bringing it all together in the Artifact Lab: Conservation, research, display, interpretation
Sep 17, 2014 – 22:21 -
Reflecting on Egyptian Pigments: the use of Fibre Optic Reflectance Spectroscopy (FORS) for pigment analysis at the Fitzwilliam Museum
Sep 17, 2014 – 30:51 -
On not exhibiting a corpse: the Mummy Chamber, Brooklyn Museum
Sep 17, 2014 – 21:43 -
King Menkaure in Motion: the metamorphosis of a Monolithic royal sculpture from the Old Kingdom
Sep 17, 2014 – 23:40 -
Problems and possibilities for the Petrie Museum’s pottery display
Sep 17, 2014 – 22:20 -
The importance of technical analysis and research for the conservation and display of archaeological garments
Sep 17, 2014 – 21:51 -
Mummy case saved by LEGO: a collaborative approach to conservation of an Ancient Egyptian cartonnage
Sep 17, 2014 – 22:42 -
Evolving Attitudes: past and present treatment of Egyptian Collections of the Oriental Institute
Sep 17, 2014 – 24:09 -
The Stair of Glory: The Meet‐and‐Greet Gallery – a unique dramatic gallery at the Grand Egyptian Museum
Sep 17, 2014 – 20:08 -
The APPEAR Collaboration: a comparative study of ancient mummy portraits
Sep 17, 2014 – 23:14 -
Seeing Mummy Portraits: preparation for display in 2011 and recent collaborative investigation
Sep 17, 2014 – 24:58 -
Raising the Dead: bringing design concepts to display
Sep 17, 2014 – 19:39 -
Vertically Challenging: the investigation and conservation of a deteriorated coffin for vertical display
Sep 17, 2014 – 18:22 -
The Redevelopment of the Ashmolean’s Egypt and Nubia Galleries – designing and building the new galleries
Sep 17, 2014 – 20:54 -
Egypt and the Ashmolean – 5 millennia of collections care part one
Sep 17, 2014 – 23:16 -
Introduction to the Egyptian Collections
Sep 17, 2014 – 26:50
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