I have listened to Noa’s podcast for a while now and have always found his interviews well done and extremely informative. Today, I woke up and put on his interview with Asian Mornell and I have to say, this was the best interview I have ever listened to. Noa has a way of asking the right questions at the right time and allows his guests to speak and inform. I really enjoy this podcast. Thanks Noa!

Every musician and music teacher will benefit from the information on practicing and performing in this podcast!

The bulletproof musician should be a required resource for all musicians! Actionable tips and inspiration - thank you for creating such a wonderful resource!!

I am so glad I found this podcast! It has been a joy. Looking forward to many more episodes!

I’m glad I just found this podcast today. Great episode on recovery from injury.

I’m a pro classical musician who has struggled with performance anxiety and underperforming in high-pressure situations for many years, despite access to some of the best music education in the world. Bulletproof musician has changed my life and has helped me breakthrough long-standing obstacles and frustrations. Noa is by far the best resource in this space, and I’ve consulted many others. The content available here in this podcast is incredibly valuable and there’s a lot more at the main website. Everything is evidence-based, professional, and cutting-edge: no snake oil or false promises. If you are willing to listen and apply this information, you will improve your mental skills. Thank you Noa!

The topics are so interesting and he explains it very well.

The host really knows how to pick highly relevant and useful topics among all the possible ones out there. He is extremely clear in presenting the gist of each study.

Hi Noa, I love all of your interviews! They’ve really inspired me and given me some great ideas as I continue to improve my playing and teaching strategies. I am an oboe player and would love it if you could, at some point, interview someone in the doublereed community so that they can talk about the aspect of reedmaking and how their relationship and journey with reed making has affected other aspects of their playing, preparing for concerts, worrying about the reed “in the moment,” etc. Thank you very much for everything that you do!