Recent Episodes
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Martin Kohlstedt - Piano And Electronica
Mar 27, 2025 – 38:48 -
Robert Aiki Aubrey Lowe
Feb 27, 2025 – 41:26 -
Tony Rolando - My Life in Modules
Jan 28, 2025 – 01:38:12 -
Emulator II 40th Anniversary
Dec 17, 2024 – 01:08:40 -
Suzanne Ciani: Space, Time and Buchla
Nov 28, 2024 – 44:26 -
Krust - Drum & Bass Pioneer
Oct 31, 2024 – 50:44 -
Using Effects Pedals With Synths
Sep 26, 2024 – 18:02 -
Scanner - My Life In Modules
Aug 20, 2024 – 55:24 -
Jason Singh - Sounds Of Nature
Jul 25, 2024 – 44:36 -
Oberheim - 50 Years Of Synth Design
Jun 25, 2024 – 36:52 -
Jlin - Electronic Musician
May 21, 2024 – 31:54 -
Drum Machine History
Apr 25, 2024 – 56:38 -
Ryuichi Sakamoto - A Tribute
Mar 28, 2024 – 42:30 -
Afrodeutsche
Feb 29, 2024 – 37:06 -
Landscape A Go-Go
Jan 25, 2024 – 59:50 -
Yamaha DX7: The Birth Of FM Synthesis
Dec 20, 2023 – 01:20:38 -
The Delia Derbyshire Archive
Nov 23, 2023 – 57:25 -
NikNak - Turntablism
Oct 25, 2023 – 35:06 -
Hazel Mills - Synth Sessions And Touring
Sep 27, 2023 – 36:58 -
Richard Evans - Inventing Electronic Pop
Aug 23, 2023 – 48:36 -
Dina Pearlman - The ARP Synth Legacy
Jul 27, 2023 – 44:44 -
Clark - Sus Dog
Jun 28, 2023 – 35:42 -
Sound Design Using Guitars
May 24, 2023 – 16:26 -
LoneLady
Apr 27, 2023 – 33:18 -
Richard Barbieri - Porcupine Tree
Mar 21, 2023 – 53:34 -
Graham Massey - 808 State
Feb 22, 2023 – 45:58 -
Mike Lindup - Level 42 And Beyond
Jan 27, 2023 – 44:44 -
Don Lewis - Programming The DX7
Jan 23, 2023 – 14:16 -
Martyn Ware - Electronically Yours
Dec 13, 2022 – 42:14 -
Robert Henke - Visual Music Artist
Nov 24, 2022 – 44:24 -
Electric Indigo - Techno
Oct 25, 2022 – 40:18 -
Michael Whalen - Imaginary Trains
Sep 20, 2022 – 44:38 -
Peter Zinovieff - A Tribute
Aug 23, 2022 – 34:56 -
Richard Norris - The Grid
Jul 19, 2022 – 41:12 -
Chiara Luzzana - Sound Designer
Jun 28, 2022 – 40:14 -
JJ Jeczalik - Art of Noise
May 24, 2022 – 55:46 -
Hannah Peel - Sonic Journey
Apr 27, 2022 – 48:52 -
Matt Johnson - Jamiroquai
Mar 22, 2022 – 39:18 -
Sarah Angliss - My Electroacoustic World
Feb 22, 2022 – 38:26 -
Creating The Stepper Acid Sequencer
Jan 18, 2022 – 45:06 -
Public Service Broadcasting
Dec 14, 2021 – 36:26 -
Synth Gems - Mike Metlay
Nov 24, 2021 – 50:40 -
Ian Boddy - Synth Artist
Oct 26, 2021 – 41:22 -
Look Mum No Computer - Sam Battle
Sep 20, 2021 – 35:56 -
The Art of Physical Modelling - David Bessell
Aug 24, 2021 – 40:37 -
House Music Pioneer - Marshall Jefferson
Jul 19, 2021 – 31:04 -
The Bob Moog Foundation
Jun 23, 2021 – 39:36 -
Sisters With Transistors
May 25, 2021 – 37:10 -
Endlesss Music Creation - Tim Exile
Apr 19, 2021 – 32:13 -
David Gamson - Scritti Politti
Mar 23, 2021 – 30:39
Recent Reviews
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KalfisherCan’t believe I’m just discovering this?I love it! Full of so many helpful tips!
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anicktLove it!Always something of interest. Interviews with artists will hold up much better than reviews of the days shiny thing. Keep it about the people.
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Phil In OmahaCould be so much moreAn occasional gem but fails to deliver what is expected from the website which is full of excellent product review. This podcast is a must for anyone who is interested in obscure drone sounds in random movies or recording of banging sounds in a loop. Littered with excellent historical pods but few and far between. Try finding a topic for the modern day synth player. Ever heard of Trent Reznor or many other fascinating stories that would have a pulse that would speak to today’s generation as opposed to someone in pleated pants dusting off their vintage.
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JosephJFKElectronic music history, not productionI was thrilled when I heard that SoS was making an electronic music production podcast. Here was a chance for them to show, not just describe in words, the product reviews, techniques and tools that appear in writing. But that’s not what this podcast does, unfortunately. The podcast thus far consists of interviews with figures from electronic music history. Personally, I don’t find that interesting, but I know others do. The problem as I see it is that this is a poor use of the podcast platform. These interviews would be 99% the same in writing. Look at the other new SoS mixing podcast: it’s perfectly exploiting the medium. The podcaster plays comparisons of tools and techniques rather than asking someone to describe those things in words. If you want to add a music production history biography podcast, go for it. But please don’t waste this opportunity to actually demonstrate the electronic music sounds, techniques and tools that you write about.
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